Digital painting, for people who continue to be unaware, is an art form in which traditional painting techniques are demonstrated using digital tools in computer software, or perhaps a digitizing tablet and stylus. The “artist” uses painting techniques to generate the digital painting on the computer. digital paintings Included in the programs are brushes which can be digitally styled to portray the original style of painting just like oils, acrylics, and water paint.
Creating with the effectation of charcoal, pen, and pastels can also be an available tool. In many programs, the consumer can even create their particular brush style using both shape and texture, which is important in bringing traditional and digital painting together as an authentic looking product.
Although digital painting is definitely a fascinating subject in my experience, and I think it’s amazing what sort of technique is executed in minutes when it normally takes days to get exactly the same effect manually, I can’t help but think it takes away the integrity of a real painting done by way of a truly skilled artist. With “digital” painting there’s no real artistic talent utilized in applying the techniques which can be mimicked by digital painting programs. They are applied by utilizing digital tools in the computer software. It’s hard for a conventional artist to consider a person using this kind of software as authentic. Not to say they don’t have an “eye” for color or have deficiencies in vision, but what about the skill of actually using physical mediums and tools? And undoubtedly the feeling of accomplishment that accompany finishing a painting that has been lovingly labored on for a while, mixing paint to get an ideal color, and, by trial and error, getting that effect you’ve been striving to achieve. The complete style of the artist is different.
Many traditional artists are very physical using their paintings and use hands, feet, clothes and whatever else to acquire a certain effect or texture. They like to combine the paints by having an actual palette knife, use mediums to regulate the paints, apply the paints to a real surface, and work a painting until it is finished with great satisfaction. They especially appreciate learning from mistakes made and skillfully correcting them… not by selecting “undo” in a computer software program, but by hand.
I can see where it will be tempting to employ a digital program only for the very fact you have a palette of a million colors to choose from, and the capability to take back mistakes in a instant. However, it’s still apparent in my experience these digital programs should be used primarily for work and school projects or on a professional level for graphic designers. Fine artists who would like a hands-on relationship with painting mediums and their smells, canvases and their textures, and the entire messiness of employing their fingers as tools should stay authentic and true to their craft.
